What if Roma art is not a separate category, but a key to understanding the cultural geography of contemporary Europe? This ERCF Commentary explores how new regional collaborations are transforming the conversation.

Three works from Emília Rigová's acclaimed series The Place Where Nothing Will Grow Anymore (2025) have entered the Ludwig Museum Budapest Collection. The acquisition marks an important recognition of a powerful artistic practice addressing the history of forced sterilization of Roma women and its enduring consequences.